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Los Angeles reopens to a new normal, Hollywood style

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As the pandemic fades away, LA prepares for what’s next

When I checked into the Portofino Hotel and Marina in Redondo Beach, I saw a sign in the lobby that said, “Stay safe, start living.” That set the tone for my first trip to Los Angeles since the pandemic started.

The Portofino Hotel website says it all

I had previously canceled two trips — one last summer, and one over the winter holidays, due to severe upticks in cases in LA. I had posed the question to friends on Facebook, “Is it safe to visit,” and my LA peeps immediately and resoundingly warned me, “Do not come.”

But with the reopening of outdoor dining in March, with some trepidation, I planned a trip for spring break. I am happy to report, while things are not the way they used to be, the city is ready to welcome back visitors.

The Mask Question

Coming from our new hometown in rural Virginia, where the majority of people but not all are conscientious about mask wearing, I was a little taken aback by the militant masking in LA, even when people were riding bikes and jogging at the beach. A friend told me people are so insistent about mask wearing that when she sat in a parked car with her window down a passerby ordered her to mask up.

When I wandered a little further outside the city, to Redondo Beach, masking was a little laxer. Maskless people strolled on the beach and chatted at outdoor cafés, but all had their masks dangling from an ear or worn under their chins, just in case.

Openings and Closings

One thing I did notice that was strikingly different from the last time I visited was the number of tent cities across LA. Even on median strips along surface streets, there were tents filled with homeless people, which I had to believe were in much greater numbers due to COVID.

Of course, they were also many shuttered shops, businesses and restaurants that one year ago were open and thriving. Among the casualties was our family’s old go-to Soup Plantation at the Beverly Center, the elegant date-night spot Fig & Olive on Melrose, and one of my favorite eateries to take out-of-town friends, Villa Blanca in Beverly Hills.

Also gone was the hipster Standard Hotel in Hollywood, famous for The Box art lobby installation featuring live barely clothed models. Even my old neighborhood Walgreen’s had closed, and I was particularly sad to see that Joeys Gym in Robertson Boulevard, where my son and I did his first mommy and me classes, had closed its doors. They do have a Go-Fund-Me site, so hopefully, they will come back when the pandemic is over.

Viva Los Angelenos

L.A. is not a city to, as Winston Churchill puts it, “Let a good crisis go to waste.” New stay-at-home enterprises have popped up, such as Pineapple Express, a service that will deliver cannabis products lickety-split. Nail salons have set up mani-pedi stations on the sidewalks, and yoga classes have moved outdoors to the parks. Other inventive pivots to make up for closed theme parks were new drive-through attractions, such as the Stranger Things Drive Into Experience, held in a converted parking structure, which got decent reviews from fans. While these pop-up attractions are good placeholders, there’s truly no substitute for the happiest place on Earth, so tourists will be thrilled that Disneyland has opened its gates – masks and temperature checks required.

The perpetual 69-degrees-and-balmy weather in LA has many advantages over other cities, where the outdoors is almost always an option for whatever you want to do.

The plethora of parks around LA are thankfully opened reopened, such as one of my favorite hikes, Runyon Canyon, the only place I know where you can see an assortment of shirtless, sleek physiques and designer dogs in Bjorn carriers, and hikers wearing Yves Saint Laurent fanny packs.

This is one of my favorite hikes, not just because of its choice of either the easy paved fire road or the challenging steep, rocky walk-climb up the hill, but also because of its vicinity to Hollywood, which draws a lot of interesting industry people. I continue to mull my idea of creating a book of haikus consisting of snippets of conversations I’ve heard walking the hill, such as, “What do you think of Timothee Chalamet for the lead, blah blah blah.”

With nary a mask in sight at Runyon, the only sign of the current health crisis was a new sign for a “chat bench,” where strangers could strike up a conversation six feet apart to combat social isolation during COVID.

A Winery Oasis in LA

While many attractions are still closed or operating on a limited capacity basis, there’s still plenty to do in LA during its re-opening phase. Looking for something different to do off the crowded and beaten path, a friend and I went to the center of downtown LA and found an unexpected oasis, the historical San Antonio Winery.

This family-owned winery, in operation since 1917, is a remnant of the once-thriving winery businesses that used to occupy the middle of DTLA. The current facility is used to ferment and bottle the wines and features a number of lovely gathering spaces for private events, along with a gourmet restaurant. Like many restaurants in town, the winery has expanded its seating into the parking lot, which has become so popular that the management plans on keeping the outdoor space even when COVID has been corked.

Sol or Sombra Seating

An unmistakable advantage LA has over many cities when it comes to dining is the plethora of options for outdoor seating. With patio heaters, you can dine alfresco year-round. Many hole-in-the-wall restaurants are now getting their moment in the sun, taking over sidewalks and parking lanes, adding tables and chairs, lattices and flower boxes.

While no one can say the pandemic has been a boon to business, some restaurants have made the best of it, like Lanea in Santa Monica, voted at one of L.A.‘s top 10 for outdoor dining. Previously known for their flights of delicious spicy margaritas and awesome gourmet tacos (You say Pollo I say Asada), now they are also known for their open-air seating, where people-watching — a block off of 3rd Street Promenade – is at its finest. But if even with touchless QR menus and strict masking policies, you’re too timid to imbibe on the premises, they offer all of their margaritas canned and ready to go. They can also box up your favorite entrées, like their surprisingly tasty cilantro rice, and their signature guacamole, that like their cocktails, pack a kick.

Deli Delight

In Hermosa Beach, the family-owned neighborhood landmark, Mickey’s Deli, is thriving with its hybrid model of delivery, take-out, or outdoor dining options – at socially distanced tables on its patio. The 53-year-old Italian deli institution is doing its part to relieve social isolation with its renowned warm and friendly service, along with its hearty Italian comfort food palate pleasers. Some of the most popular menu items are the legendary bulging breakfast burritos, beefy sandwiches like Italian Beef or Chicken Parmigiano w/ eggplant, and hot pasta dishes like Mostaccioli Deluxe, along with plenty of generously portioned salads. Besides the outstanding deli offerings, the eatery remains a destination for tourists and locals alike – especially kids – for its old-fashioned mini-mart of candy, snacks and knick-knacks.

Now That’s Italian

An area that until the pandemic was building momentum over the past few years as a popular hotspot of eateries, Culver City, got a bit quieter, partially due to the Arclight Cinemas going dark, but the tree-lined Main Street atmosphere has proven conducive to outdoor dining.

One mainstay restaurant that is still going strong after 18 years is Ugo, which holds a special place in my heart as the very first restaurant I went out to with my newborn son, carted along in his baby seat carrier.

The restaurant is beloved by the community, and the feeling is mutual, such as was evidenced by the restaurant giving 50% off to the community during shut down, well they had to resort to carry out orders only.

Besides being a favorite industry lunch spot with executives at the nearby Sony Studios, it is also a favorite with the nearby Police Department, who I’m told favor the Conchiglie Rossi primi pasta. My own favorite is the popular Portobello Fries, a plate of lightly fried frites topped with grana padana.

The restaurant is also renowned for its Neapolitan pizza, certified by the Verace Pizza Napoletana Association to be prepared and served according to traditional standards, with authentic ingredients in the same way the first pizza was created hundreds of years ago in Naples, Italy. While the preparation may be traditional, the varieties are inventive, such as the Figo, consisting of fresh mozzarella, dry figs, goat cheese, Parmesan, arugula, and truffle honey. Lastly, the restaurant is famed for its delicious cannoli, which during a recent Carnevale of Conoli celebrated in LA was named “the best cannoli in LA.’

Life’s a Beach

Of course, one of the main attractions of LA is the beaches, which after nearly a year of strict social distancing rules and even closures, except for active swimming or running (no sunbathing allowed), are open for visitors. Nearly every day of my visit to LA I loaded my bike into the back of my Lincoln Corsair and headlined for the shore, where I would ride the trail from Venice, through Santa Monica, to the end of the path at Will Rogers State Beach.

Other than most people wearing masks in crowded areas, you wouldn’t know there was a pandemic. The path was packed with bikers, runners, skaters, and those pesky pedestrians on the wrong side of the trail, just like a typical summer day. Most of the souvenir shops and food vendors were open, though a few were boarded up.

One very different optic was the pop-up tent cities, especially in Venice, where campers had taken up residence for some time — furnishing their tents with mattresses and sofas. This is due to the LA City Council suspending municipal codes during the COVID-19 outbreak, so that campers did not have to take down tents and night and limits of 60 gallons of possessions per camper were not enforced. It was a sad reminder of the thousands of people who lost jobs and housing during the pandemic.

LA’s New Normal

For anyone considering a trip to LA, I would not let lingering worries about COVID-19 get in the way. Because the metropolis was so hard hit by the virus, the city responded swiftly and strongly, with determination and ingenuity, finding ways to keep the city up and running, for residents and tourists. Its pandemic response has been no less than you would expect from Hollywood, and the town is now ready for its close-up.

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Real-life street performers take their show on the road with electrifying VOLTA

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Cirque du Soleil’s VOLTA mash-up of stunts astonishes and inspires crowds of all ages

When I was 10 years old, my parents took me and my brother to see the circus. We never went again, because my dad said, “If you’ve seen one, you’ve seen them all.” That was of course before Cirque du Soleil, the extraordinarily unique circus that amazes beyond comprehension, time and time again. The newest show on tour, VOLTA, is no exception. The show will visit Dodger Stadium in Los Angeles February 18 – March 8, and then Costa Mesa March 18- April 19.

This high-powered BMX spectacular exhibition puts the X Games to shame. Vicariously living adrenaline junkies will not be disappointed in the death-defying triple flips and seemingly impossible stunts that these superhero-like performers execute, apparently effortlessly.

The vivid costumes, which look like the cast rolled in a bath of paint, glitter and feathers, perfectly suit this glam grunge gang of street performers turned circus pros as they dazzle and delight in a high-energy world of color, grit and technology.

Like all Cirque du Soleil shows, this one has a story, acted out in acrobatics, accompanied by a stirring live musical score and evocative, poetic vocals. VOLTA is a tale of transformation, about being true to yourself, fulfilling your potential, and knowing you have the power to make it possible.

The protagonist is Waz, a blue-feathered-haired young man, who longs for social acceptance, which he hopes to gain by becoming a star on the hit TV program, the Mr. Wow Show.

His big chance fizzles when his hat falls off, revealing his unique locks. He slinks off feeling embarrassed and defeated. He fades into life among the Greys, zombie-like city dwellers, faces illuminated by the glare of their cell phones, mindlessly trudging through life, disconnected from each other. Despondent, Waz retreats into himself, finding comfort in childhood memories. Then, Waz encounters the Free Spirits, a gang of life-loving individuals. He is lulled out of his comfort zone by the beautiful Ela, who guides him through his personal journey to finding himself.

The story is compelling, but you don’t have to follow the plot to be astonished by the show. If you get a program book, you can follow along with the various acts, such as, Rise & Shine, in which the performers demonstrate that, “a wall is not a barrier but a springboard.”

The set transforms into a giant framework of a wall of windows and compartments where wild and raucous street performers leap from the highest ledges onto a trampoline below, propelling themselves up the side of the structure, yelping and cheering each other on. It’s the kind of energy that makes you want to join them, as they float and sail past each other, in a choreographed yet chaotic bouncing party.

In Urban Jungle, gymnasts herald in Yaz’s awaking to his new self, as they of jump through hoops, diving, flipping and twisting their bodies to fit through tiny hexagonal rings, like a champion run off of Tetris.  

For the kids, there was the crowd pleaser, the showy Mr. Wow, and his alter-ego, who entertained as the bedazzled host of his talent show, wowing the crowds by speaking only one word, “Wow.” He later made an appearance as the clown, who struggled to tame a laundry washing machine that has a life of its own.

Then there was Mirage, which was a cringy one-woman-suspended-by-her-hair act, expressing that one must live life on the edge.  While this was an impressive display, it was not enjoyable for me because all I could do was wonder if she was in pain.

All the acts build to a climax with Momentum, a celebration of spirit, freedom and bravery, demonstrated by real-life BMX street bikers. In this jaw-dropping fast and furious finale, riders invade the stage and fly overhead on a translucent half pipe, crisscrossing, spinning and somersaulting on their bikes in a spirit of brotherhood.

Amazing is an understatement to describe the experience. What is not surprise is that the bikers are genuine street bikers, recruited from city streets. The backstory from the cast is that at first they rejected wearing make-up, costumes and choreography, but as they integrated into the show, the bikers embraced the magic of the circus, and they became one with the Cirque du Soleil family.

The melding of energies and passion in VOLTA is evident. If it were simply a display of extraordinary tricks, it would be satisfying enough. Add to that a heart-felt storyline about the fulfillment of one’s true potential and liberation from the judgment of others, and you have a gripping and inspiring tale for the ages for the whole family.

Photo credit: Matt Beard. Costumes: Zaldy.

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